TAFS | Premium | 08/22/2022
[00:00:41] One of the things we promise the audience is that we're going to have a lot finer guests
[00:00:55] We're going to get esteemed guests now.
[00:01:01] Who more esteemed than our friend Michael Belandek?
[00:01:03] Director of such projects as Project Space 13, Job's World, Hell Aware.
[00:01:12] What else am I forgetting anything else?
[00:01:21] Now, Wally, you drew all that shit yourself, correct?
[00:01:34] Would you say in most of your movies, you come in and say, I'm going to do it all myself?
[00:01:41] No, that's like people like Kubrick who's like literally better than every person who
[00:01:44] can take the cameras, film better than grab the sound recording stuff, do better audio
[00:01:59] Mike, real quick, can you choke up on the camera a little?
[00:02:03] Hey, this is a literally just almost kiss of the end.
[00:02:09] So I just try and work with people that know how to do that stuff.
[00:02:13] Ladies and gentlemen, welcome to the Adam Freethel.
[00:02:15] Welcome to Adam Freelel and show Adam, and you have a monologue this week or no?
[00:02:20] No, we do not have a monologue this week too.
[00:02:23] No, I think you're aware of that before we start.
[00:02:25] Yeah, I thought this was going to be a studio experience.
[00:02:28] We're kind of we as studios, studios, we're going to, it's closed for business for the
[00:02:34] So the studio is not in shape right now.
[00:02:41] But for now, we're going to not talk about the studio.
[00:02:45] We're going to add him, if he doesn't want to do a monologue, doesn't have to do a monologue,
[00:02:50] So it's sort of like a, it's like a big, it's like Adam's sort of, and I'm not saying
[00:02:56] It's sort of like a, like a big fat retard playing with his own shit.
[00:03:01] You know, and imagine just- I'm not taking that as a critical thing at all.
[00:03:05] So imagine like a retarded boy who plays with his own shit, but he's laid, you know, he's
[00:03:13] So he's just got fiber blasting the crayons and play dough through his system at warp
[00:03:20] And he's laid out the biggest turn he's ever seen.
[00:03:25] And right now the stage Adam is in as the shit playing Mongoloid is he's so proud of
[00:03:33] this giant turn that he's taken that he's afraid to sculpt it into anything for the
[00:03:38] simple fact that he's, he lives in a world of quantity.
[00:03:41] You know, he's, he's, he's, he's, he sees it and he says, I want to weigh this turd.
[00:03:47] I want people, I want my legacy to be the guy that took a shit that weighs expounds.
[00:03:54] Rather than actually create something beautiful by some subtractive process, he's afraid
[00:04:02] It's, I'm a, I'm a maximalist I believe.
[00:04:04] Because a true, a true artist and non, you know, somebody that wasn't a coward at all,
[00:04:08] they would whittle that giant turd all the way down to nothing.
[00:04:14] You know, just a little single peanut grain.
[00:04:17] So then somebody will walk in 99% of people walking by.
[00:04:25] That was maybe a peanut that came out of a piece of shit, but it's just a peanut.
[00:04:28] But somebody would walk by perhaps the director of Wally and say, that is a work of a peanut
[00:04:36] And that's sort of, that's, that's the Adam Friedland show and the direction we're hoping
[00:04:41] I mean, well, you can't really force the creative process.
[00:04:42] Sometimes you have to just wade in the pool of shit for a while until you know, went to
[00:04:47] Molta right and then, or you have some other people splash in the shit and force it in
[00:04:53] See, you're exciting to see this natural or can.
[00:04:55] Well, he doesn't, you don't need to explain it to him.
[00:05:09] Do you find that most filmmakers get started in pornography and then move on to?
[00:05:13] I think the use, definitely that was like a lot of the guys you met at Pixar did.
[00:05:17] They get started in child pornography and then they, you know, because you got to work
[00:05:24] Because you get initiated into the, you know, that circle.
[00:05:28] But I did when I was in college, I did a documentary about these guys who were in the
[00:05:33] first people to get, they got after a Columbine.
[00:05:36] They made the first Columbine movie called Duck, the Carbine High Massacre.
[00:05:41] And they got arrested for bringing real guns to a school.
[00:05:43] It was just kind of like Sean video, low budget experience, but they would also make porn
[00:05:48] movies that were like paid for by people that they go, I want you to wear this off.
[00:05:55] So I followed them on the set of a movie called orgasm torture in Satan's rape clinic
[00:06:03] And well, where else would you shoot that?
[00:06:11] I was in a wood in New Jersey and I sort of followed the process of making that and
[00:06:15] they debuted it at a chiller, the horror convention.
[00:06:18] And yeah, it almost got an HBO on the show called a pornicopia.
[00:06:25] And I thought it was going to have a great career directing pornicopia, getting to be
[00:06:30] like a pervert and it just didn't happen.
[00:06:34] And then you wound up in children's entertainment.
[00:06:39] That's sort of the Louis Anderson story.
[00:06:44] He thought he was just going to have sex with young men.
[00:06:49] And then out of nowhere, he became the star of the Fox box, you know, and the finest
[00:06:58] And the family feud in the Louis Anderson household is more their son became such a fat fag.
[00:07:14] And there that's, you know, entertainment industry.
[00:07:27] I don't want to have to hear from Louis Anderson's people.
[00:07:36] So wait, so you followed these these perverts around and then and then it just came to
[00:07:40] not you're saying what was the movie itself about?
[00:07:45] Or I don't really remember the plot of it.
[00:07:51] It was I think it was just lesbian and classy.
[00:07:54] But yeah, so the idea was I made this like short and then we had the head of HBO nonfiction
[00:08:00] was our teacher and she did all those great like banging and little rock and like, you
[00:08:05] know, small tonnex, see all those great.
[00:08:23] So they got me all hyped up thinking I was going to be, you know, leaving the dream doing
[00:08:25] this, uh, Silesia HBO, uh, undercover, right around, recording people in taxi cabs and
[00:08:31] um, they just never, they said, yeah, well, we're going to shoot this show in LA.
[00:08:37] What if we do it in New York here and blah, blah, blah.
[00:08:40] So it was the end of my, uh, big television and porn.
[00:08:48] I have to tell Adam that every day, you know, he's like, I'm 35 years old.
[00:08:51] I, I keep, I keep swinging the bat and my wrists are too weak to even hold it up.
[00:08:58] I keep breaking my, I swing the bat as hard as I can.
[00:09:14] I don't even know it's the last big HBO, like, they don't see the document.
[00:09:19] Your dream is a filmmaker is you want to go even bigger thinking I'm ax.
[00:09:33] Would you ever do a like a nature documentary?
[00:09:36] Would you ever do like retards narrated by David Attenborough?
[00:09:43] Let me just get a couple of retards and put them out in the woods and we film them and
[00:09:48] we pretend that's where they live that they're from there.
[00:09:56] Is that the name of the movie alone almost?
[00:09:58] It's a Netflix show where they it's like a competition.
[00:10:05] Oh, they take mentally disabled people or just regular people.
[00:10:08] And they have like a they have a walkie talking.
[00:10:13] The key element in my vision is that they're mentally disabled folks.
[00:10:18] No, so it's like a broad batch of people.
[00:10:21] And you know, sorry, you know, like crypto zoology that shit from the late 1800s, they
[00:10:27] So we do that, but we put big beaver tails and platypus bills on, you know, this mentally
[00:10:34] And then we, we, it's sort of like a Victorian style documentary.
[00:10:41] About a new species called the, the, the platyphew fellow.
[00:10:50] I mean, this is like, yeah, sells itself.
[00:10:54] What does it say in the survival here that HBO?
[00:11:03] But, no, put them on the survival show.
[00:11:05] So the people that you've never heard an idea of that good.
[00:11:13] But the takeaway from the show is the people who win are always the most retarded.
[00:11:16] They're like, whoever's the most annoying has the worst social cues is actually what
[00:11:23] Is a survival skill in that and being a fat ass.
[00:11:26] Access fat is that you, you get fattish shit before you go on the show.
[00:11:30] They found that out like season one or two is the guy that came the fattest because just,
[00:11:35] because you lose such so much body mass, because you're like trying to forage and then kill
[00:11:38] animals and stuff, you're like, you're allowed like three tools or something like that.
[00:11:43] So then they found out that the hack to win the show is to just come as a massive fat ass.
[00:11:48] Now Mike's saying that it's a fat retard also, I guess.
[00:11:56] I know I certainly could say something.
[00:12:00] Instead, I'll take shots at least in Nevins.
[00:12:04] Listen, we don't want to make any of these industry names.
[00:12:08] I was going to go after Louis Anderson again.
[00:12:13] So he can't really do anything for our guys.
[00:12:15] Maybe if he had just been fat and not fat and gay, I think that was...
[00:12:21] How about they, how about they, where they, I show where they put Bruce Vellanche in a,
[00:12:26] he's got to survive a TJ Maxx or something.
[00:12:30] What's an athema to being Bruce Vellanche?
[00:12:38] I was thinking something maybe a little bit more...
[00:12:40] Writing monologue jokes for the BET Awards maybe?
[00:12:47] Well, he'd probably be good at the BET Awards.
[00:12:52] He's like working on a construction site or something.
[00:12:55] I was thinking more of like just something that's, that's the vibes are not kitschy,
[00:13:02] or celebrity oriented, because that's, that's really all he likes.
[00:13:10] Like being a fucking, I don't know, being a cab driver.
[00:13:33] So, Mike, what's your, what's your, as a filmmaker, what's your favorite movie you've
[00:13:38] I saw this movie for I guess a Saturday night called Blood Brothers from 1989.
[00:13:45] Sorry, I'm having trouble discerning what the name of the movie is.
[00:13:55] That's the name of the American Ninja III though, is Blood Brothers, right?
[00:14:01] I've never seen American Ninja III, Blood Brothers.
[00:14:05] I think too is like dominant, the domination or something.
[00:14:09] Yeah, it's all takes place in like Florida in the late 80s and it's just like a bunch
[00:14:14] of like kids like doing like massive amounts of like drugs.
[00:14:20] They like do abortions, like stab some to death with like pins.
[00:14:24] It's just like a bunch like gross out gore, abject, like.
[00:14:30] Sorry, I'm thinking of no retreat, no surrender, three.
[00:14:34] Well, then there is the ICP had a side project called the Blood Brothers for a while where
[00:14:39] they were going to wrap in incredibly high pitched voices and they were going to each
[00:14:43] have a farming tool was like the theme is like evil farmers with really high pitched
[00:14:50] I think they're going to make scarecrows.
[00:14:54] Like a high pitched farm like as all three goes.
[00:14:59] Damn, I might have to rewatch no retreat, no surrender, three tonight.
[00:15:04] Wait so this movie is about kids in Florida that are killing people?
[00:15:10] I mean, he just said in the last two days on it.
[00:15:12] They played at the Rock City on our friend Owen Klein did like a Q&A with the director
[00:15:16] who actually went to jail for obscenity in like the 90s.
[00:15:21] What do you have to do to go to jail for obscenity now?
[00:15:24] You say you say Joe Biden is a bad president.
[00:15:31] That'll get you sent straight to the slammer.
[00:15:35] Mike, who's your favorite celebrity you've worked with?
[00:15:41] I mean, I got I've worked with I got a little taste of some or botanist hopper for a moment.
[00:15:51] Yeah, you worked with them or you just mad him somewhere.
[00:15:53] I mean, I was working on this documentary that not Chinese in Denver.
[00:15:57] No, it was called Chelsea on the rocks.
[00:16:00] A shot a couple of blocks away from here on different kind of person in a different kind
[00:16:08] Yeah, they said when he comes in, you have to like no one's allowed to drink, put everything
[00:16:13] And if anyone says no one's allowed to drink, this is able for our movie.
[00:16:17] So, you know, get the fucking drinks away from me.
[00:16:20] And they said, whatever you do, do not say the word name Hillary Clinton or if I hear
[00:16:24] Hillary's name, you're going to cut my dick off.
[00:16:27] I mean, actually Grace Jones probably is actually the best.
[00:16:34] Maybe she's in here right now and I just can't see her.
[00:16:55] I never knew if what's her name, Grace Jones, had a penis or not.
[00:17:00] Was that supposed to be like a left up to the imagination?
[00:17:14] They were trying to do a spy versus spy thing.
[00:17:21] One of us is, you know, I'm the white woman and she's very black.
[00:17:29] We're different kinds of freaks and we, you know, it sort of makes sense.
[00:17:39] Hoping for a Dalmatian is what we're doing.
[00:17:42] Well, I guess we really wanted a Dalmatian and neither of us know how you get one.
[00:17:48] And then we recently found out that it's a type of dog.
[00:17:52] Is a Dalmatian, a black dog and a white dog fucking?
[00:17:58] I mean, you know, 101 Dalmatian still has the record for most blackface in any piece
[00:18:06] Well, they, because they put all 101 dogs in blackface to hide from Corella.
[00:18:12] So there's technically 101 blackface performers in that cartoon.
[00:18:19] Yeah, I mean, I guess if you could make a guess, it'll be a logical argument to evolution
[00:18:37] So black spots and then they're mostly a white coat.
[00:18:41] Which the spots show up later, which I learned from 101 Dalmatians.
[00:18:45] I used to go to a 101 Dalmatians bar trivia night back in my recently not drinking days.
[00:18:55] You know, I figured that was a way to keep me sober.
[00:18:57] You could be around a bar like you're a guy going on booze.
[00:19:06] And I met a lot of good guys that were still alcoholics, but they would bring their young
[00:19:13] 101 Triv met a lot of eight year old girls there.
[00:19:18] And it made me rethink, you know, how I treat women, I guess.
[00:19:23] Because you can't fuck them, the children.
[00:19:29] You know, hard it is to make an eight year old laugh.
[00:19:31] They don't know what Dennis Hopper sounds like.
[00:19:40] You just tell them about, you know, and tell you met Wally and how you weren't allowed
[00:19:48] So Mike, you just recently completed a new film last year.
[00:19:59] Is it going to be screening anytime soon?
[00:20:01] I think we're done with all that, sadly.
[00:20:20] Fubu sounds like it should be for them.
[00:20:23] If I told you, I got clothes called Fubu and it stands, it's like a four ass bias.
[00:20:36] These are my, well, my name is, my name is Fubu.
[00:20:46] I'm sorry, but your son was born a Fubar.
[00:21:02] I was never brave enough or allowed to actually.
[00:21:07] My parents would, my parents would let me get any Fubu.
[00:21:10] Did you wear people like, who the hell is this guy thinking?
[00:21:13] Wait, you seem like you're a former like a South Pole Fubu kind of kid.
[00:21:26] I never, I think I like a pair of shoes that were like Fubu for a second.
[00:21:29] I mean, I never went like head to head.
[00:21:31] I went to like weird baseball jersey, Fubu.
[00:21:48] You see a lot like, like we can guys in 90s with like Tweety Bird or something or like
[00:21:52] Snoopy like, or like a leather jacket with like a pink yarn for that.
[00:22:01] 23 years old high end Italian like Looney Tunes style.
[00:22:05] That's weird to imagine Italian Looney Tunes stuff.
[00:22:10] No, and that's like, um, he's trying to kill the road.
[00:22:17] That's not, you know, is Warner Brothers Looney Tunes?
[00:22:32] It isn't that Looney Tunes endorsement.
[00:22:34] I think Six Flags has the rights of the Warner Brothers.
[00:22:36] I guess now it's all SpongeBob is what you see.
[00:22:38] Like that's the big thugged out cartoon.
[00:22:46] Black people really do be loving Spongebob Square.
[00:22:49] They like children's stuff for whatever reason.
[00:22:51] They like D. Dragon Ball Z in Spongebob.
[00:22:57] I passed like six dudes wearing the machine gun Kelly Pearl
[00:23:02] I'm going to be a wicker that's in the Kyue.
[00:23:15] What was the book with the at the worm that drove the car
[00:23:23] What was the name of the what was it called?
[00:23:25] I'm not the guy that it was like Richard Scary something.
[00:23:28] The very hungry caterpillar or something.
[00:23:31] No, no, no, that was something different.
[00:23:33] It was Richard Scary's like world or something.
[00:23:43] I'm going to find new baby shit to suck out via airbrush.
[00:23:52] What is that the wire like young wiggers wearing pearl necklaces
[00:23:56] now that they like clearly like stole from their grandmothers?
[00:24:01] I feel like I've been singing for like the last year.
[00:24:02] But in the last two days I've seen it like 50 times.
[00:24:05] It was machine gun Kelly started that look.
[00:24:09] Yeah, I think it's just a way to signify that you're not like a.
[00:24:12] You got a little feminine quality a little.
[00:24:18] Dude, I like pussy, but I'm also fucking gay, dude.
[00:24:23] Yeah, like an evolution of the Pukashell necklace kind of.
[00:24:26] I think the same person that would have worn that.
[00:24:30] Yeah, that was another thing my mom didn't let me buy.
[00:24:40] In middle school, kids used to get their neck stripped up.
[00:24:46] But you got to go in vacation to Jamaica and get your groove back.
[00:24:52] I don't know what you're talking about.
[00:24:53] No, you got to go there meet a young man.
[00:24:58] No, but you're like, OK, first of all, you have no time, right?
[00:25:03] You don't have enough hours of the day.
[00:25:05] There's no time because I'm always keeping time.
[00:25:06] Because you're always keeping time because I'm always on groove.
[00:25:09] You're like a stressed out in the pocket 24-7.
[00:25:15] You're a stressed out New Yorker, right?
[00:25:17] You need to take a trip to New York or to Jamaica.
[00:25:19] You don't have enough hours in the day.
[00:25:27] You need to meet a Tae Diggs-type islander.
[00:25:30] Bop, bop, bop, bop, bop, bop, bop, bop, bop.
[00:25:40] I'm just saying you get shell braids when you get your back blown out.
[00:25:48] That seems to be the theme kind of materializing on the Adam
[00:25:52] So my dear longtime producer for the fine director
[00:25:58] I will be at Helium Comedy Club in Philadelphia.
[00:26:19] And thanks to everyone who came out in Irvine.
[00:26:22] I don't even know what it was, but some kind of throat
[00:26:27] It was all a haze, but everyone was very sweet.
[00:26:32] That's probably the nicest town I've been to so far.
[00:26:36] But yeah, please, Philadelphia come out.
[00:26:38] I know you people are mean, but we'll have a good time.
[00:26:41] Yeah, they'll be like, I thought you were a fact,
[00:26:45] Dude, helium's always been my favorite club.
[00:26:51] A lot of people say that's one of the best ones.
[00:26:53] Like 10 years ago, when I go through there and I feature,
[00:26:55] like the shows, it was always such a weird vibe
[00:26:59] And then there'd be somebody that would yell out to be angry.
[00:27:02] You got in trouble for your Second Amendment joke, right?
[00:27:18] It's like the greatest fan base ever for a.
[00:27:21] That was just a more extreme WWE, right?
[00:27:24] Yeah, but you're sort of the Rick and Morty of wrestling.
[00:27:27] And where fans bring in like weapons to shows and stuff.
[00:27:38] I went to one show and they had a person actually
[00:27:42] And they glued nails to the outline of the handicap.
[00:27:47] And there was like a child with a monkey wrench.
[00:27:51] Like mashing to that, like, caught my life in a piece of the song.
[00:27:56] And then, and yeah, it was just fans bring weapons night.
[00:28:02] And so I have like a really high opinion of fans.
[00:28:09] And they should not just bring it back to the show.
[00:28:12] They should do bring your weapons to work day.
[00:28:14] And all the women in the office with big tits
[00:28:23] And then that's why I'm not allowed to tempt anyone.
[00:28:29] I was like, y'all, why don't we do bring your weapons
[00:28:32] And the women with big tits, they got to put them on display.
[00:28:38] Yeah, we're not allowed to do that in a professional environment.
[00:28:41] And we see that you've installed your own PA system
[00:28:43] throughout the entire office that we didn't have before.
[00:28:53] I want to make sure everyone hears my idea
[00:28:56] Y'all, the bosses are saying no, but what do we think?
[00:29:09] They think you're a slave that can't let your fucking weapons out.
[00:29:16] So Mike, what are some of your favorite movies?
[00:29:26] What's your number one favorite movie show?
[00:29:27] I'm trying to show Adam how to be an interviewer,
[00:29:31] because he's got to learn how to be an interviewer.
[00:29:33] Nick's trying to teach me how to talk to people,
[00:29:43] Did you, so this must have been a long time ago.
[00:29:56] Is it naturally stocked there where they put fish in there?
[00:29:59] I don't know what they're doing over there.
[00:30:02] So this is early morning, you and your grandpa.
[00:30:05] What kind of relationship did you have with him prior to this?
[00:30:12] Like a nice, he's like alpha kind of the family.
[00:30:15] Like, you know, you were a little uptown.
[00:30:17] Or did you feel like you could relate to that?
[00:30:20] Or you couldn't relate to it, but there was like,
[00:30:23] because he was your grandpa, you didn't feel intimidated by it.
[00:30:32] So was there like, I mean, and I wouldn't say
[00:30:34] sexual tension, but perhaps the precursor to that, or something.
[00:30:41] You know, as a young eight-year-old boy, you're with this very strong,
[00:30:46] you know, you'd say attractive alpha male.
[00:30:56] Does it feel like a rite of passage to you?
[00:31:00] I would definitely say there was nothing sexual.
[00:31:06] No early life altering experiences from this.
[00:31:13] That sounds like a sort of family values type of good.
[00:31:21] For the listeners at home, deep, deep sexual undertones.
[00:31:30] In case the listeners wanted to kind of just place
[00:31:35] So we're just running through the day then.
[00:31:43] No, this would be like we go in the summer
[00:32:07] I just know about it from the sopranos when he says
[00:32:10] You know, I dipped a toe in some when I was younger.
[00:32:18] The impact this fishing trip, this very sort of sexual
[00:32:27] Yeah, I mean, that's like the whole David Lynch thing,
[00:32:29] is it's like, you know, his whole philosophy,
[00:32:32] like catching the fish or some shit where it's like.
[00:32:37] I guess that's my whole life reading, Bruce.
[00:32:43] But yes, it's somewhat called metaphor of like fishing.
[00:32:51] Would you say there is any kind of through line
[00:32:53] with your work that could be related to something
[00:32:58] sexual or some sort of sexual aberration that may have happened?
[00:33:19] Yeah, this would be like for the therapist.
[00:33:24] Let's call it traumatic, but traumatic in like a Freudian sense.
[00:33:28] I mean, it's not necessarily like that.
[00:33:30] I mean, I haven't had that much traumatic stuff.
[00:33:38] There's a very, very, like almost everything
[00:33:42] But making a movie is an act of trauma.
[00:33:44] Doing this right now is an act of trauma.
[00:33:47] It's like says people that like when you don't have enough trauma,
[00:33:52] So I don't think there is some like deep rooted, horrible thing
[00:33:59] Have you ever visit your elementary school after hours,
[00:34:03] like after dark for anything, like maybe like a parent teacher
[00:34:07] conference or a PTA meeting or any reason.
[00:34:10] Well, you had to be at the school after the sun went down
[00:34:13] and you saw the building after the sun.
[00:34:15] Or like a play or like up to the school play.
[00:34:17] Some kind of function where you needed to be not middle or high
[00:34:20] school, but your elementary school in particular after dark.
[00:34:25] I mean, I would get the fuck out of there.
[00:34:27] Immediately I'm not wasn't really racing.
[00:34:29] Have you ever had any any dreams of your elementary school
[00:34:32] where the layout is different and it's unsettling?
[00:34:37] Have you ever run through the halls of your high school?
[00:34:40] Have you ever screamed at the top of your lungs?
[00:34:49] Have you ever been at Rory Rogers, the fast food restaurant?
[00:34:58] There used to be all up and down the East Coast.
[00:35:05] The probably the best French fries of any.
[00:35:08] Well, I don't want to blow up the spot,
[00:35:09] but Stephen and I have been going to this new Taco Bell
[00:35:19] So you don't have that aspect of people
[00:35:26] I like the concept of the Taco Bell cantina,
[00:35:31] Because I'm like, it kind of scares me off Taco Bell.
[00:35:33] Typically, it feels like it's too baby.
[00:35:35] See, the only place I know the word cantina from is Star Wars.
[00:35:42] was going to be more of like a job as palace sort of.
[00:35:44] I thought there would be an elephant guy playing some people.
[00:35:48] I thought there would be a little Jewish monkey
[00:36:00] I don't know what you're talking about.
[00:36:02] Why do you watch Star Wars in film school?
[00:36:08] Why don't they teach you good movies like Star Wars?
[00:36:15] You got any upcoming dates you want to plug?
[00:36:20] No, I'm just I'm not really doing jacket.
[00:36:23] Do you have any way projects you're working on?
[00:36:24] I'm trying to write do some writing right now.
[00:36:26] And you should honestly ask the next story about going fishing
[00:36:31] with your grandpa is really mind-blowing.
[00:36:39] I've been having like a hit the grandpa.
[00:36:44] Well, that's why it's through your work.
[00:36:46] You could write, that's you, your grandpa.
[00:36:58] And together, you find love, perhaps, or something,
[00:37:04] But we just get two hours of sexual tension
[00:37:06] between you and your grandpa in Alaska.
[00:37:24] Mike, is there any questions you would like to be asked?
[00:37:31] Well, Mike, you were telling me before the show started
[00:37:34] that you've been following up on the life of Andy Day.
[00:37:43] He's one of these like last guys that didn't get the memo
[00:37:45] about anything, just doing what he wants.
[00:37:49] And yeah, I've just been over early COVID.
[00:37:51] I started watching all these live streams
[00:37:54] and just sort of following all these sort of degenerate nut
[00:37:58] And then I was shocked, and Andy Dick had some relapse.
[00:38:02] And he's now just like for the last four months or something,
[00:38:05] just riding around in RVs, groping everyone, getting fucked up.
[00:38:08] I would say we should hand out GoPros to every bum in America.
[00:38:13] And then there's a cable, on every cable package in America,
[00:38:16] there's something called the homeless channel.
[00:38:19] Well, it's not a live stream, but you figure out
[00:38:22] 24 hours of programming where you use the GoPro footage,
[00:38:27] has to figure out a different kind of show
[00:38:37] And then somehow make it look like he saw something.
[00:38:40] You take one schizophrenic sentence they have,
[00:38:56] Yeah, you could have a homeless guy that thinks he's
[00:39:04] And then all I need to start around my all I'm asking for is 360.
[00:39:13] So you're going to let that man fuck you,
[00:39:22] And you get in exchange for getting some beer,
[00:39:26] then you have thousands of these channels
[00:39:30] And it's like you're getting unlimited content.
[00:39:34] see it in fashion too that there are skits of pharynx
[00:39:37] have the most vanguard, you know, taste of everything.
[00:39:40] You know, that's one of those dressing in ways
[00:39:43] that a normal person wouldn't come up with,
[00:39:44] come with jokes that, yeah, that also would be great.
[00:39:47] It'd be nonstop entertainment, I think.
[00:39:53] Yeah, basically Balenciaga just riffs off
[00:39:57] I'm trying to think of skits of pharynx.
[00:39:59] There was a weird turn like four years ago
[00:40:01] where young women started dressing like crack addicts.
[00:40:05] It was very, though it was very informative.
[00:40:09] It was like the like the fuzzy pull over, zipper pull over,
[00:40:23] Yeah, layers, like you wear like in the winter,
[00:40:25] in the summertime when you're in a winter coat, you know.
[00:40:27] That's an idea that a normal, that a socialized person
[00:40:31] wouldn't think of doing except are like, you know,
[00:40:35] Are there really any like skits of phrenic,
[00:40:38] like popular artists now, like there used to be?
[00:40:42] where you could really be a fucking freak
[00:40:49] I don't think they're popular artists anymore.
[00:40:52] I think that's like the, I think Banksy is probably
[00:40:58] Demi Lovato is as close as you get to like a skits of phrenic.
[00:41:01] Oh, can she changes her gender constantly?
[00:41:05] I don't think that's probably the only one
[00:41:10] I mean, I'm breathing these spears, I guess,
[00:41:13] is publicly very crazy, but she's not an active artist.
[00:41:47] I think she suffered from the same problem, too.
[00:41:50] Well, she said stuff about the Obamas that were like,
[00:41:54] It would be funny if Obama gave Joan Rivers.
[00:42:00] I don't mind all these fucking other people online.
[00:42:24] next thing you know, they're going for routine surgery.
[00:42:31] What would you say about Obama if you were going into surgery?
[00:42:37] No, I mean, if you were going into surgery and you wanted to,
[00:42:47] Yeah, I mean, the times I think I liked it at the beginning.
[00:42:52] You like when he was putting Shyrak on the map?
[00:42:56] Do you think they should change the name of Shyrak
[00:43:04] Shy Crane doesn't really have the right ring to it.
[00:43:10] Shy Crane is not bad, but I feel like Shywon is better.
[00:43:20] No one gives a fuck about Ukraine anymore.
[00:43:23] It's also there's a bunch of white people in Ukraine.
[00:43:27] So you know that the people who came up with Shyrak
[00:43:38] Why don't they call this place fucking Shaffer?
[00:44:07] You're being the old pizza oven, brick pizza oven,
[00:44:14] I may be forgetting that a pizza oven grill, pizza grill oven,
[00:44:22] And they had big, one of those sandwiches
[00:44:26] where they just bake a pizza into itself.
[00:44:30] So it's one of the few things you can't get here that's hot shit.
[00:44:34] And I can still only get it when I go home.
[00:44:40] What's your favorite pizza place in Chicago?
[00:44:43] There was some place called like Giardano's or Eduardo's.
[00:44:48] Was your grandfather like a Chicago guy?
[00:44:56] You lived in Chicago, though, for most of my life.
[00:45:04] And he drove like a like a Donald Duck car, basically,
[00:45:19] Was he kind of like maybe like the outline of his dick
[00:45:22] Did he wear like a new Jack swing kind of suit?
[00:45:52] No, but your grandfather was Chicago native Michael Mann.
[00:46:00] Michael Mann, perhaps out and about in Hollywood.
[00:46:11] But they kept going to LA to do the thieves.
[00:46:30] I had to learn what electricity was and like try
[00:46:46] I always thought it would be great if they did a sequel
[00:46:48] to that movie called Child Pornography Hat.
[00:46:53] And it's about the best guy downloads his child pornometer.
[00:47:00] And then he gets recruited by the FBI to do hacking.
[00:47:07] I don't know, I just love the child pornography.
[00:47:11] And then because of how the court system works,
[00:47:20] So then he sort of found a loophole where he's allowed
[00:47:23] to look at as much child pornography as he wants.
[00:47:26] And he's got a login at the FBI's website.
[00:47:29] So he has access to all of it, this treasure truck.
[00:47:32] And it's sort of like a wolf of Wall Street,
[00:47:34] like, you know, rise and fall fever dream of this guy,
[00:47:40] To just terabytes and terabytes of FBI produced
[00:47:52] He gets a sore on his dick that becomes infected
[00:47:57] And now he's like, you know, it's obviously
[00:48:04] Yeah, it's like the end of casino, right?
[00:48:07] Where he has to go back to being just a heavy cat.
[00:48:09] I mean, there actually has to be someone doing that.
[00:48:11] You know, that is a true story that you're telling here.
[00:48:18] They hire hackers, right, to like create internet security,
[00:48:28] Well, no, not the FBI, but like, you know, Facebook
[00:48:31] or whatever, they'll hire hackers that have like,
[00:48:34] compromised their security protocols or whatever.
[00:48:36] Yeah, well, the main point is that the fact that
[00:48:39] that's the only crime they do that with, you know?
[00:48:42] I guess I used to do it with check bouncing.
[00:48:46] If you're like a check forger, they're like,
[00:48:54] Once you figure out how to interview people,
[00:48:59] I apologize by asking too many probing questions
[00:49:01] about big dick granddaddy, but we'll get to the bottom
[00:49:08] Dude, I saw my grandfather's dick one time
[00:49:12] and it left the lasting impression on me
[00:49:21] These guys go around soft with a fucking Arizona iced tea can.
[00:49:27] Every gym I've ever been to, every gym locker,
[00:49:43] But it's just so fucking, it's a Lincoln down hardly.
[00:49:52] I'm sorry if this is hitting too close to home.
[00:49:55] It's just taking you back to that lake outside of Chicago.
[00:50:08] Who's the most beautiful actress that you, if you cast.
[00:50:30] Yeah, this fuck was like the hot new fucking.
[00:50:37] I don't know the good names of any woman either.
[00:50:42] You know, they say the key to interviewing is you try
[00:50:44] to have a conversation and not ask questions.
[00:50:47] You've been really peppering my question.
[00:50:51] Like I said, dude, I'm just a groove myself.
[00:51:00] Bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop,
[00:51:04] bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop,
[00:51:06] bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop.
[00:51:12] is that you're an expert on old public access,
[00:51:21] And that's kind of what Nick and I are trying to do.
[00:51:24] And like, do you see the vision that I'm trying to do?
[00:51:29] I mean, I do love public access so much.
[00:51:37] like drink COVID, but I used to watch that stuff 24-7.
[00:51:41] And there's all these great sort of talk shows that were on it.
[00:51:45] They were great because it'd be like some like,
[00:51:47] the Black Israelites are selling, or there is this one I
[00:51:49] really called like, Late Night with Johnny P.
[00:51:51] It was like a Staten Island P-E, just P, the latter.
[00:51:55] And they'd interview like, if some guy was on the sopranos
[00:52:07] Anyways, the sewer system is really in trouble here.
[00:52:10] I'm just a fucking common piss-tricker from Staten Island.
[00:52:13] Listen, I'm just so metallic and retard
[00:52:17] But I can tell you, this Eric Adams guy
[00:52:22] at the Blasio-Cors, but not creating his own kind of problems.
[00:52:27] And as in New Yorker, what do you think New York needs?
[00:52:38] With a gun or do you actually clean them?
[00:52:47] How do you feel about broken windows, please?
[00:52:55] I mean, it's pretty gnarly out right now.
[00:52:58] You know, and I think you have to do something.
[00:53:08] And the weird thing is just totally out of control.
[00:53:10] You know what I think we need, rather than just, yeah,
[00:53:12] the broken windows, it's like, you know how you go
[00:53:14] to some bad neighborhoods and they have the generator
[00:53:19] So we do that, but on a more massive and micro scale,
[00:53:23] is that we get drones that shine a spotlight on every black
[00:53:30] Well, just so that they each have their own spotlight.
[00:53:33] It's just just their, they're just blasting them.
[00:53:41] OK, well, you mean like they're performers,
[00:53:44] kind of like they're in a concert or something?
[00:53:51] Wait, can you want to tell us about this P guy?
[00:53:55] Because I feel like you know a lot about people
[00:53:59] And that's kind of why I wanted to talk to you.
[00:54:02] Because I think that you could have some good insights for us.
[00:54:06] That was a classic one, which was a very small scale thing.
[00:54:09] Marketing it like it's for, like it's a hit.
[00:54:12] that was on the sopranos for one second, you know,
[00:54:14] a guy dressed like it, acting like it's a real Hollywood thing.
[00:54:19] And then there'd be like Joan Quinn profiles,
[00:54:22] some old lady in her living room doing the high classic
[00:54:28] And it's just totally eccentric great shows and that you would
[00:54:32] never get served up from algorithm or something.
[00:54:34] You know, just flipping through the channels.
[00:54:35] See what's on M&M, you know, three in the morning.
[00:54:41] Yeah, it's like near Times Square somewhere.
[00:54:43] Just like a studio that you can run out of M&M store.
[00:54:57] Do you ever just out and about in Hollywood
[00:55:30] Yeah, she's a black woman with glasses.
[00:55:34] Oh, glasses are kind of sexy on a girl.
[00:55:38] It's weird that they never made any of the Skittles.
[00:55:42] You know, it's just the California raisins and the M&Ms.
[00:55:49] They should do like kind of a thing to show.
[00:55:57] Anti-miscegenation or promiscegenation sort of like marketing
[00:56:04] married to one of the California raisins.
[00:56:06] Like, Skittles have like a kind of tropical vibe, right?
[00:56:30] Oh, like a sweet, sweet tart kind of...
[00:56:49] If the police department could use any kind of animal to stop crime besides, you know,
[00:56:53] German shepherds, what would you select?
[00:56:58] We'll start you off there and then you can...
[00:57:15] Just like a trillion roaches or something.
[00:57:32] Like a projectile of a mass bug machine.
[00:57:38] Incorporate that into the spotlight drones.
[00:57:52] If you step on one, you're assaulting an officer.
[00:57:59] I guess they respect the cop killer in there, but...
[00:58:03] They're going to give you a little bit of a rough ride on the way to the station.
[00:58:14] Out about in Hollywood, do you talk to celebrities much that regret posting black squares yet?
[00:58:22] Is that seem to be the talk on the Rodeo drive?
[00:58:28] Or in the McLaren dealership in Beverly Hills?
[00:58:32] I think everyone just pretends they didn't do it, right?
[00:58:35] I don't think anyone wants to talk about it.
[00:58:36] What's the closest you ever got to Jeffrey Epstein in Hollywood?
[00:58:46] Have you met anyone on the flight logs?
[00:58:52] I mean, hasn't everyone met someone probably?
[00:58:55] Rick Moranis famously quit acting when his wife died.
[00:59:05] He's doing it because he wants to stop hanging out with her?
[00:59:08] But he wanted to spend more time with his kids.
[00:59:11] Well, I thought he was acting so he could get out of the damn house because his wife
[00:59:17] Oh, have you heard that in your travels?
[00:59:34] During the knockout game news cycle, he was the only person that anyone could pinboy
[00:59:42] Yeah, it seemed to bring everyone together.
[00:59:43] There was a big outcry for catching the work.
[00:59:56] Mike, do you think aliens built the pyramids?
[01:00:08] Are you conspiracy theorists in general?
[01:00:14] Are there any that you're on board with?
[01:00:15] Well, I mean, I was dropping the John Rivers, Obama thing.
[01:00:26] You ever see the movie, Eight-Legged Freaks?
[01:00:30] I don't know what would you do if that happened to you.
[01:00:54] Dude, we're going to be so good at interviewing.
[01:01:02] They're about the size of the coffee table here.
[01:01:07] You've got a big fat guy to stomp the coffee.
[01:01:12] Do you think the Michelin man has any kind of accent?
[01:01:21] Something seems high pitched, probably.
[01:01:24] I can see a little French or Canadian or something.
[01:01:28] What do you think is the sexiest type of accent that you've ever heard?
[01:01:33] Maybe like an older Midwestern sort of accent.
[01:01:41] Nah, I don't know how fucking that would be.
[01:01:52] I remember I was walking to the park one time when I was a kid and I walked by like a garbage can and there was like two feet coming out of it.
[01:02:01] It's like someone was like upside down in the garbage can and it seemed pretty dubious.
[01:02:07] That doesn't seem like the kind of way somebody would dump a body.
[01:02:14] And if it was, it wasn't like a murder that was like a mentally disabled person throwing like a little brother because they didn't know to tell their parents first.
[01:02:26] It was an older brother with intellectual disabilities that found his eight year old brother dead from jail.
[01:02:31] Have you seen this blanket homeless person in like the East Village?
[01:02:36] This dude who always has like a blanket over him.
[01:02:40] I see him like near Washington Square Park a lot.
[01:02:45] Can you explain to me how that's different than most homeless people?
[01:02:48] He's covered in a blanket and you just see feet at the bottom.
[01:02:56] He's moving with the blanket on him like a ghost kind of.
[01:02:59] He just wears it in a unique sort of manner distinct.
[01:03:02] If you saw it, you would know what I'm talking about.
[01:03:33] It's just like some germs like dropping down.
[01:03:38] He wasn't like, he wasn't checking, he wasn't doing gynecology or you know, like delivering
[01:04:03] Well, that's because you want to try to get a different kind.
[01:04:06] Mike could go on any show and they could just ask him what his favorite movie is.
[01:04:09] We're trying to do something different.
[01:04:12] I spent a little Mario Sunshine the other day.
[01:04:15] That's like about cleaning up the streets.
[01:04:19] It's like an ant-sacrificity kind of thing.
[01:04:22] Mario has this little backpack that's got a spotlight on it.
[01:04:25] There's these little like dark guys in the town that are causing trouble.
[01:04:35] It's called like the jungle spirit or something in the game.
[01:04:37] And you have to shine a light on them to fix them.
[01:04:43] But then the twist is that Eric Adams is making him do it.
[01:04:55] I don't know if he's working for Eric Adams in the game.
[01:04:59] It doesn't take place in New Donk City.
[01:05:05] I mean, I just was like playing the first level the other day.
[01:05:13] This guy jet back cleaning up some leg graffiti.
[01:05:18] I think that there is some Epstein looking stuff on it.
[01:05:22] There's a lot of those weird structures.
[01:05:26] The Nambla symbol or at least the Boy Love symbol appears many times.
[01:05:42] And one's facing down and one's facing up.
[01:05:45] And they're overlapped with each other.
[01:05:51] That's one small triangle and one big triangle.
[01:05:56] One eagle arrow triangle and one that's pointing down.
[01:06:05] We could all see through it immediately.
[01:06:10] We need to get an in studio bitch to look things up.
[01:06:15] We need to get like a porny looking kind of woman like Lewis has.
[01:06:24] We're already blowing a lot of money on new employees.
[01:06:27] That they're doing stuff like checking your voicemail for you or typing text messages for you.
[01:06:37] We've already got a couple of assistants for you.
[01:06:44] We should go skilled labor, I think, from here on out.
[01:06:48] One assistant for the show that just rides the subways and then catalogs with teenagers
[01:06:58] It's like wearing like a lot like an urban youth aesthetic for when we get the set and
[01:07:05] I think we should get you a Darth Vader costume.
[01:07:11] And then the buttons, they do different impressions of people.
[01:07:14] It'll automatically, you know, because Adam's kind of lacking in that department.
[01:07:18] But necessary for any talk show host is a solid repertoire of impressions.
[01:07:24] So we get you a Darth Vader outfit, but it allows you to, you know, yeah, do it in pressure.
[01:07:31] That suit, because he burned off most of his body.
[01:07:34] Yeah, he was fighting Ben Kenobi, Obi-Wan Kenobi.
[01:07:43] And it was a matter of him standing on it, like maybe one foot higher.
[01:07:45] Mike, have you ever had that happen where you've had a falling out with a mentor or lover,
[01:07:54] Like a male friend that you were in love with.
[01:07:56] You had the dumps in them, not in love with, but you know, had some, had the dumps and friends.
[01:08:05] Yeah, I mean, you know, but it's, and it doesn't even work because they still, you know, you
[01:08:15] Would you say that you would wish that they would criticize the Obamas before a surgery,
[01:08:22] That would be a, that would, that would solve a lot.
[01:08:24] That would be my, it would be my, you know, but it'd be okay.
[01:08:32] Adam, have you had any good ideas recently?
[01:08:38] Why don't you tell us a little bit more about your glasses?
[01:08:56] They're, yeah, they're Riley R. Oliver people.
[01:08:59] I got them right after college, like 15 years ago.
[01:09:04] Did you get those because of American psycho?
[01:09:07] I believe he was wearing the same ones, maybe the Gregory Peck ones.
[01:09:15] Maybe no, no, he was wearing the metal ones.
[01:09:25] I mean, I could have, that's all I can think of.
[01:09:36] They were upset like all the glasses stores that I walked past.
[01:09:41] There was like a sign that said we have most got glasses.
[01:09:47] Is it because you have perfect vision or?
[01:09:51] Yeah, but I also don't, but I don't wear sunglasses either.
[01:09:53] Do you think that led to your decision to become a filmmaker?
[01:09:59] They said this man has such a clear vision here and everything.
[01:10:05] Yeah, but yeah, I feel weird wearing glasses.
[01:10:10] At what point did you say I'm going to be a filmmaker?
[01:10:13] You knew that that's just what you were going to do.
[01:10:15] I mean, it seemed just like really easy because it was like you see these people do one movie
[01:10:21] and then they don't do shit for like five years and then the math is it's a couple of
[01:10:28] So tactically it seems like a very smart thing to do.
[01:10:36] Yeah, but then I realized that they're actually working all in the in between.
[01:10:44] But I guess I tried doing it in college for a second, but I took much of these classes
[01:10:54] And then I just kept taking it over and that was like, fuck it.
[01:10:59] And then I worked at Kim's for a while.
[01:11:01] Kim's video famous New York institution for the for the people who don't aren't familiar
[01:11:08] Why don't you want to explain Kim's history?
[01:11:11] There's this place in East Village that was probably like the biggest video store here.
[01:11:23] But um, because I never really talked to him.
[01:11:29] But if you have an interesting smell, would you say?
[01:11:35] Um, yeah, it's just this like place in East Village, a giant place, a total freak show.
[01:11:39] Interesting how it all sorts of mix of just the gnarliest, weirdest people coming in
[01:11:45] And I did meet a lot of the people I work with and all of our friends from there.
[01:11:50] And um, yeah, that was sort of made it sort of doable to work with your friends versus
[01:11:56] right over this, you know, school way of doing.
[01:12:02] What does it feel like to have friends?
[01:12:04] What would you have to describe that feeling?
[01:12:09] Um, yeah, I think it's a wonderful thing, man.
[01:12:16] I mean, I would you say your work sort of embodies the esprit de friendship.
[01:12:31] Did you ever have like, um, at the video store, you ever have like a famous person come try
[01:12:39] He was like trying to act like he wasn't.
[01:12:41] He says, David Jones and you know, he's trying to do the whole, uh, did he wear this regular
[01:12:47] Uh, yeah, but it's a good mix of like people like that.
[01:12:50] And then just abject, you know, porn, weirdos and academy people.
[01:12:55] Did you have a porn section behind a beaded curtain?
[01:12:59] There was a porn room, but there wasn't a beaded, but it was like off around the corner.
[01:13:06] Around then, but the St. Mark's one was kind of the great one.
[01:13:10] And then, um, that was probably close around.
[01:13:16] Um, now it's like some, I walked by it the other day and I think some type of like,
[01:13:22] Mutai gym or something or I saw people like powerlifting and doing all this like crazy
[01:13:26] shit in the window and then it's that barcade on the first floor.
[01:13:30] But I guess now there's an Alma draft house in the financial district where they brought
[01:13:34] all the all the movies got dumped at some place in Italy.
[01:13:40] They're gonna create some new town that was some video utopia where everyone could.
[01:13:44] Everyone could rent movies and have a great time because I think it's some shame.
[01:13:49] And then they somehow brought it back to New York.
[01:13:53] Wait, so some shady Italians stole all the movies from Kim's?
[01:14:00] And then Mr. Kim wanted it all together as like a collection.
[01:14:04] So they said we're going to create this vision of this town that was going to be in the
[01:14:10] That's like a you can bow down to this collection and just watch, you know, weird, uh, fastener
[01:14:20] And, uh, but I guess it was all sort of just rotting and some basement somewhere in reality.
[01:14:25] And now it's back in, uh, like by Wall Street.
[01:14:33] But I don't really like the draft house.
[01:14:39] But you don't like it because, because, uh, they're like me and about your phone or something.
[01:14:45] It's an, it's a tattle tale environment.
[01:14:50] When they pay, they play that voicemail before the movie starts with that drunk girl that's
[01:14:55] like, I've never been treated this misogynistic, by the way.
[01:15:01] They, they, they, they enforce the rule via humiliating some dumb drunk bitch.
[01:15:07] We really know who that don't talk in the theater rules are being levied against.
[01:15:13] I mean, it's off putting, but I think we should be so lucky as to have these places.
[01:15:16] You know, like the best theater in New York City closed, which was Court Street theaters.
[01:15:21] Because that place was just complete anarchy.
[01:15:24] I think if you want complete silence, you need to make enough money to have your own
[01:15:29] I think if you're expecting any kind of shared space to be, you know, special for you.
[01:15:34] I was at Court Street watching, uh, John Wick 2, I think.
[01:15:38] And a woman just brought like 25 Tupperwares of dinner.
[01:15:43] She kept just like opening them eating so loudly.
[01:15:46] Like talking with her mouth full during the meal.
[01:15:55] She had a fucking, she had a lot of stuff.
[01:15:57] I remember she had pieces of rotisserie chicken that were like boxed up into different boxes.
[01:16:04] It was kind of enterprising, but it was all for herself.
[01:16:07] Rotisserie in French that, that's probably.
[01:16:11] It just means like a rotational chicken or something because it spins around.
[01:16:18] Like if you're a French guy and somebody was like, hey, do you want any rotated chicken?
[01:16:23] I'd be like, no, that sounds disgusting.
[01:16:29] Like, but alternatively, microwave to a French ear probably sounds great.
[01:16:44] Well, Mike, what do you think could be done to fix the media?
[01:16:48] Yeah, people just need to make it shit.
[01:16:58] It's certainly been a learning experience for Adam to get better at interviewing people.
[01:17:05] Hopefully you're not too offended about, you know, whatever.
[01:17:13] No, it's just an inaccurate representation of.
[01:17:27] No, it's just, I mean, your grandfather had a dick and it had a size.
[01:17:32] No, but to remember that means you have a man's dick in your brain.
[01:17:38] That's why anytime I've ever seen a man's dick, I hit my head really.
[01:17:43] I guess I'm saying I'm not trying to actively gauge these things in situations.
[01:17:48] Well, I'll tell you what, I'm going to hit stop in the recorder and then Adam is going
[01:17:51] to, it's going to be a seamless transition to Adam thanking our producers and the associate
[01:18:06] So we're going to go ahead and print those names and Adam is going to read them off and
[01:18:13] Producers first and then I will lower the volume and then Adam will read the associate
[01:18:18] At a slightly faster speed at a lower volume.
[01:18:24] And to answer your question, there's probably a total of about 350 to 400 names.
[01:18:34] Thanks again to our guest Mike Beland and thank you very much to our producers.
[01:18:39] Thank you Jacob Grimm, Jack Dayton, Helios, Matt Millum, Kyber, Lanebock, Brandon, Blalock,
[01:18:45] Silas Sureski, Liam, Brian Allen, Olivia, and Ronald.
[01:18:52] Ronald, Michael Whitman, Evan, Duolute, Leepas, Pussy, Tony, Koker, Fatso, Beef, Abu,
[01:18:58] Karel, Bigdadi, Ben Taylor, John Sargent, and the third, Sean Freeman, Boris, Kitchak,
[01:19:08] William, Jimmy Chocolate, Creme Boy, Genius, Jacob Blandram, Eric Bunton, that guy 58.
[01:19:17] At the Adam Friedland Show Girl and I.G. the dumbest bitch in the whole world.
[01:19:21] Syria, Deere, Zachazee, Baumast, Ancus, down up North.
[01:19:28] Norvin English, Green the Fifth, Debaser, Lenin, Yawl, El Greco, Keith, Jesch Mohan,
[01:19:45] Raviole Yumyam, Josiah, Volcano Farts, Ethan Green, All Right Guy, Jacob Foster, Brian
[01:19:50] Cronin, Nick Berry, Joseph Stalin, Dry County Blues, Samuel Erickson, Jessica, Steven Holbrook,
[01:19:58] Gabrielle Maurice-Hio, Ronald Roosterasty, Sam Kirsch, Kirschen Heiter.
[01:20:06] I love Clans and Combs, my name is Amaya Nilkamp, Doc Skirrata, Dox Skirrata, Dox Skirata,
[01:20:19] Aaron Brannan, Tim Dayan, Sonic the Hedge Fund, Levy, Henry Q. Danielson, John Doe, Frank
[01:20:27] Wren, Kerry Finholstetler, Thomas Chalker, Jeff Seacord, John Lee, Lauren, Winky Sam
[01:20:38] Zico, Deacon 3005, Ray, Michael Schwartz, Brian Dixon, LJ111, Seth McBride, Wahaka Flocka
[01:20:50] Flame, Bento, R. Tefol, Badger, Yahia Coley, Shane J.
[01:20:56] Elby, Fuge State, Gavin Dasuta, Daniel Camden, Azive, Jeffrey Winterlin, Brett
[01:21:04] Chrisman, Colton, Quinn Q, Hans Minaia, William White, Caleb Gonzalez, David Nolan
[01:21:12] Jr., Mike Boyer, Brian Cassells, George Grimwood, Kurt Benfoy, Kevin Delacroix, Jacob Hilton,
[01:21:20] Derek On TVareals, Adam Lewer, Andrew Moore's, Tom Wilkinson, great actor, Joel Corrente,
[01:21:29] Chicken Lips, Sarah Bonde, Erin Kraus, Mediocrison, John Bleuett, Brendan Hanaford, Joseph Hall,
[01:21:41] Michael, Jacob Sauber, Kavazos, Matt Manchester, E-Haunt, Fielding Carpenter, Nick Thornton,
[01:21:53] Zodiac Griller, Fi, Jack Dayton, Dakota Rogers, Dante de Blasio, Cabron fiber, Joe Cullen,
[01:22:02] Wolfgang Schmidt, Munz, Dalia Zahaava, Ben John Andre, Castaneda Chavez, Sludge Fuxwell,
[01:22:12] Elphidiio Quinones, Ollie, John Hartman, Dave Hock, Stateside Reds, Derek Culver, Noah
[01:22:20] Sousa, Julia Plumber, Harry Tate, very funny alone, Harry Tate, Thomas Bronner, Mark, Nathaniel
[01:22:30] Lesra, Lord Oglar, Mike B.R., Edward Daniel Smith, Dossoyevsky Pot, Manuel Vera, David
[01:22:40] Gebhard, Glenn Lee Chun, Craig, Liz Alberto Ginaan, Benjamin Collins, Big Mike, KB, Jacob,
[01:22:51] Nautau, Jay, Billy Ziskre, Kyle Friedland, Head Mosley, Aria N., Payne Miercuro, Charlie
[01:23:02] Ambler, Sawyer, Eric D. Schmidt, Brian Hurst, Rick Richard Oggich, thank you.
[01:23:45] Mike Frazier, Laul Pasada, Laul, La Pasa,
[01:23:57] Silas, Jovian Avila, Alec Kellis Knuck, Sam Bales,
[01:24:03] Silas Green, Dead at 30 Cannibalized by Wife,
[01:24:06] Yavin Arba, Alexander Nose, Jonathan Jones,
[01:24:14] Pinché Flojo, Daniel Goulav, Rion Folan, Sam Murphy,
[01:24:20] Austin Williams, Mike, Tom Guzzler, 182,
[01:24:23] B.H. Jones, Shawna Gwire, Joseph Mumford,
[01:24:32] Chris Davis, Thomas Gallagher, Young Boozer, Zara Zuka,
[01:24:37] Harris, Emily Snyder, Gregory Martin, Andrew Kumboy,
[01:24:40] Wyatt Robinette, Nick Wakeham, Mackenzie, Brett Mike Hessel,
[01:24:46] Brett Mike Cell, Joe Hagg, Noah Lester, Brandon Thornton,
[01:24:51] Franklin McGee, Alex Stichow, Huey Joe,
[01:24:54] Yousaf Mossad, Robert Reeves, Smart Bimpson,
[01:25:02] Britt Hillis, Ben Red, Ethan Chase Lemons,
[01:25:09] Victor Vila Plando, Dakota Sky, Brett Bolin,
[01:25:18] Godel Bratt, Isaac Reyes, Terri C. Fenton,
[01:25:22] Nyle Fife, Zachary Grisel, Chase Bello,
[01:25:30] Colin Martin, Cody Pence, Jesse Ryan's,
[01:25:33] Randy Funfork, Bruh, Wyatt, Ian Taylor,
[01:25:40] Panda Bear's Great, Desi, Bradley Griffin,
[01:25:43] Tyler Pignero, Tim Roberts, Christopher Crosby,
[01:25:51] Big Mike, Richard Housstein, Alistair Matthews,
[01:25:55] not Ryan C. Cress, Jack Shubat, Frank Reich,
[01:25:59] Michael Garcia CGF, Kurtz Fungus, Alex Presbo,
[01:26:04] Alan Wallace, Alex McAlvrey, Sammy D. Luke Myers,
[01:26:11] Ryan Kiro, Riley Croyel, Matthew Medlin,
[01:26:26] Harper Marchman Jones, Michael Gainham, Sean,
[01:26:31] Austin Heath, Elijah Ebert, Chris, Stroll the Roll,
[01:26:36] Eric Sverkult, ABC, Ry, David, Michael Gerthquake Fuller,
[01:26:42] that's pretty good, Scott Sanciaga, Richard Nixon,
[01:26:50] John B. Jeff Tompkins, Eric Scanlon, Ryan Ebert,
[01:26:54] Matthew Riddle, Alec Love, Snorroos, Snorff,
[01:26:58] Brian Cantwell, Benjamin Cost, Adam Jacobson,
[01:27:01] Charlie Carr, Alex Lefrenery, Alex Mecch,
[01:27:06] Matt Schneer, Casey Hines, Nolan, Andy Woodcock,
[01:27:10] Ronan Murphy, Jake Harmon, Alex Casanova,
[01:27:13] Devin Davies, Ashley Gurl, Howie Mandel,
[01:27:18] Justin Tristan, William Haver, Josh Nuevas,
[01:27:23] Michael Funari, Ethan Mai, Alex Wreck, Derek Deemer,
[01:27:30] L. Suter, Justin Ganchi, Kortox, Justin Wang,
[01:27:49] Garbage Patch Kid, Wes Christensen, Sam Tomco Jones,
[01:27:54] a white 1993 Camry, Gustav Carlson, Matthew Hine,
[01:27:58] Darren Davis, John Mails, Cody Anderson, Matt Stone,
[01:28:02] Trufus, Isaiah Negara, KPG211, Adam Laker,
[01:28:12] Justin Kirkland, B.H., John Pope, Aaron Muse, Russell,
[01:28:17] Rockwell White, Steve, Ben Haefitz, Spencer Coates,
[01:28:20] Tom Hawkins, Damian Hurai, Ryan Green, Lucas Kaiser,
[01:28:26] Johan Halen, Money Violence, Chris Langill,
[01:28:31] Sebastian Larson, huge pop, Andy Asil, Tom Durrenberger,
[01:28:36] Eric Kennedy, Shane Briggs, At Butt Planet, Chris Kalari,
[01:28:45] Peter Panay Frank, Ryan Gassner, Deep Dish Sex Ever,
[01:28:50] Alex Van Olden, Anthony Weaver, Susanna Coolidge,
[01:28:54] Andrew Shiva Machin, Joe White, Timmy Dixon,
[01:28:59] Drowsy Thunder, David Corn, Bill Fuller, NOPE,
[01:29:02] ERP-47, Christopher Prod, Corb Max Dickfield,
[01:29:09] Jeff Biot, Martin McNeish Logan, Dylan Nelken,
[01:29:19] Anne Humin, McKenna, Gregory Jakubjakobowski,
[01:29:32] Reed George Smith, Toby Hammons, Trevor Schultz,
[01:29:41] John Monroe Ralph, Dustin Cooper, Gavril Rice,
[01:29:47] Chris James, Parker Hollis, Will Reed, Jack Davies,
[01:29:53] Matt Truslow, Bo Emerton, Daniel Stern, Mike W,
[01:29:58] Michael Levy, Cole Hager, Steve Moody, Emily Venerstrom,
[01:30:11] these nuts, Stuff Dave Maid, Dan, Patrick Tine,
[01:30:17] Kyle Dennis, Beevie, Will Tarantino, Rory,
[01:30:22] Michael Firestone, Dennis G. Faraz, Chris B. Nick Stark,
[01:30:28] Brian Eber, Gordon Hale, Alex, Adam Bevel, Adam,
[01:30:33] Thag Balls, Scott Daniels, Zajak, Rex Blank, Nate Leslie,
[01:30:40] Corey Soto, Eugene Tucker, Tim Smith, B.B.,
[01:30:42] Tyler Langoliss, Riley R. G. No, Matt Shambler,
[01:30:51] Carla Francisco, Alfred Holmgren, Oliver McKenzie,
[01:31:01] John Rutherford Sean, Chappell Trappas,
[01:31:07] Total, Allyshian, Rube, Johan, Patrick Merrill,
[01:31:12] J. Wilson, Quinn Myers, Donald Hughes, Colin Lampark,
[01:31:20] Nicholas Hageini Avery, Star Rosen Krantz,
[01:31:23] Isaac Reithy, Famine Cameron, Brandon Murphy,
[01:31:27] Jim Alexander, Gareth Redmond, Jake Reynolds,
[01:31:30] Jordan Kendall Hugh Jess, Matt G.O.P.S.N.,
[01:31:41] Jordan 3-16, Greg D. Jim, Koots Unlimited,
[01:31:45] Danny, Rood Street Films, Christian Sandlin,
[01:31:47] Evan Hangerty, Milk and Minnows, Chris Charles Sacks,
[01:31:52] Andrew Peladino, Young, Misa Gucci, Max Brown,